Recent and upcoming publications
“A Forefront in the Aftermath? Recorded Sound and the State of Audio Play on Post-‘Golden Age’ US Network Radio.” Tuning in to the Neo-Avant-Garde: Experimental Radio Plays in the Postwar Period. Manchester UP, 2021.
“‘There ain’t no sense to nothin’: Serial Storytelling, Radio Consciousness and the Gothic of Audition.” Audionarratology: Lessons from Radio Drama. Ohio State UP, 2021.
“Second Nature: The Art of Charles F. Tunnicliffe RA.” Charles Tunnicliffe: Prints: Catalogue Raisonné. Royal Academy of Arts, London, 2017, pp. 11-31.
Charles Tunnicliffe: Prints: A Catalogue Raisonné. Royal Academy of Arts, London, 2017. With Robert Meyrick.
“‘Please don’t whip me this time’: The Passions of George Powell of Nant-Eos.” Queer Wales. U of Wales P, 2016, pp 45-64.
“Bigotry and Virtue: George Powell and the Question of Legacy.” New Welsh Reader, no. 110, Winter 2015, pp.18–29.
Stanley Anderson: Prints: A Catalogue Raisonné. Royal Academy of Arts, London, 2015. With Robert Meyrick.
Immaterial Culture: Literature, Drama and the American Radio Play, 1929–1954. Peter Lang, 2013.
“‘… poised on the edge’: Keith Vaughan as Printmaker,” in Keith Vaughan: Figure and Ground. Sansom, 2013, pp. 34-57. With Robert Meyrick.
Claudia Williams: An Intimate Acquaintance. Sansom, 2013. With Robert Meyrick.
Sydney Lee: From the Shadows. Gallery guide. Royal Academy of Arts, London, 2013.
Gwilym Prichard: A Lifetime’s Gazing. Sansom, 2012. With Robert Meyrick.
Gwilym Pri[t]chard. Guardian. 18 July 2015.
Edgar Holloway. Guardian. 27 Nov. 2008.
Nietzsche, Friedrich. “On Truth and Lie in an Extra-Moral Sense.” Translated by Harry Heuser. The Critical Tradition. 3rd ed. Edited by David H. Richter. Bedford/St. Martin’s, 2007, pp. 452-59.
“Etherized Victorians: Drama, Narrative, and the American Radio Play 1929-1954.” PhD Dissertation, CUNY 2004.
“Meister Remastered: Carlyle’s Interpretation of the Translator’s Role.” MA thesis, CUNY, 1997.
Graduate compositions (PhD)
“Any One’s Portrait and a Dog Reposing” (A Steinean Portrait)
“Eulogies and Unmarked Graves: Plotting and Character Disposal in Trollope’s Barsetshire Novels”
“Finders Keepers: A Moment of ‘Truth’ in Donne’s Third Satire”
“Nominal Control: Dickens’s Little Dorrit and the Challenges of Onomancy”
“Teeth and Sympathies; or, Influence and the Individual Talent” (A Wildean Dialogue)
“A Trollope among the Brahmins?: Howells’s Rise of Silas Lapham and the Reform of the Fallen Novel”
“Umbauen, Umgewöhnen, Umdenken: Romanticism as Translation”
“Wood for the Fire-side?: Melville’s Redburn and Its Sense of Audience”
Graduate essays (MA)
“Escape Artist: Brecht’s Pursuit of Galilei”
“Filling/Falling in the Gender Gap: Jane Eyre’s Early Readers”
“The Framing of Frankenstein; or, Is There a Reader in This Picture?”
“Irony Trade: Reader-Responsibilities in Heart of Darkness”
“Raising Daedalus: A Close Reading of Joyce’s Portrait”
“A Sinister Back-Cloth: The Fabrics of Heart of Darkness”
“The Tempered Text; or, Three Roads to Udolpho”
“Windows in a Poet’s House: Observations on Kafka’s Prozess”
“Ladies in Loco-motion: Trains in Movies Starring Claudette Colbert”
“Child in the Hood: Mervyn LeRoy’s Little Caesar”
“Third-class Cabin in the Sky”
“Even in Arcadia: The Dame Who Spoiled Our Daily Bread”
“One Hundred and Four Degrees of Separation: Hemingway’s ‘A Day’s Wait’”