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Harry Heuser

. . . keeping up with the out-of-date

  • Collecting
    • Books related to American and British Radio (1920s to early 1970s)
    • Claudette Colbert memorabilia
      • Collecting: Claudette Colbert—The 1930s
      • Collecting: Claudette Colbert—The 1940s
      • Collecting: Claudette Colbert—The 1950s
      • Collecting: Claudette Colbert—The 1960s and After
    • VD campaign posters (1946)
    • Cigarette cards
    • Cinegram and Cinegram Preview
    • Luggage labels
    • Photographs and autographs: Radio celebrities
    • Digitized radio recordings
  • Writing
    • Selected writings
    • Lectures and Talks
      • Adaptation: Versions, Revisions and Cultural Renewal—1A) Introduction to “Creativity: Genius, Inspiration and Influence”
      • Adaptation: Versions, Revisions and Cultural Renewal—1B) Creativity: Genius, Inspiration and Influence
      • Another “Air Raid”: Modernism and US American Network Radio in the Eisenhower Era
      • Gothic Imagination: Gothic Associations
      • Gothic Imagination: Gothic Identities
      • Gothic Imagination: Gothic Bodies
      • Gothic Imagination: Gothic Landscapes
      • “I’d expect anything of a country like Wales”: Richard Hughes and the Welshness of “Danger”
      • Looking into Landscape 1—Origins and Traditions
      • Making It Matter: Ephemerabilia, Queer Identity, and the Imperative of Being Out of Touch
      • Silk Town Country Boy: The Life and Work of Charles F. Tunnicliffe RA
    • Graduate writing (PhD)
      • Eulogies and Unmarked Graves: Plotting and Character Disposal in Trollope’s Barsetshire Novels
      • Finders Keepers: A Moment of ‘Truth’ in Donne’s Third Satire
      • Nominal Control: Dickens’s Little Dorrit and the Challenges of Onomancy
      • “[S]omething understood”: Gay (Be)longing
      • A Steinean Portrait
      • A Trollope among the Brahmins? Howells’s Rise of Silas Lapham and the Reform of the Fallen Novel
      • Umbauen, Umgewöhnen, Umdenken: Romanticism as Translation
      • A Wildean Dialogue
      • Wood for the Fire-side? Melville’s Redburn and Its Sense of Audience
    • Graduate writing (MA)
      • Meister Remastered: Carlyle’s Interpretation of the Translator’s Role
      • Escape Artist: Brecht’s Pursuit of Galilei
      • Filling/Falling in the Gender Gap: Jane Eyre’s Early Readers
      • The Framing of Frankenstein
      • Irony Trade: Reader-Responsibilities in Heart of Darkness
      • Raising Daedalus: A Close Reading of Joyce’s Portrait
      • “A Sinister Back-Cloth”: The Fabrics of Heart of Darkness
      • The Tempered Text: Three Roads to Udolpho
      • Windows in a Poet’s House: Observations on Kafka’s Prozess
    • Undergraduate writing
      • The Adolescent Son in Mid-Life Crisis: Adulthood in Saul Bellow’s Seize the Day (1956)
      • Child in the Hood: Mervyn LeRoy’s Little Caesar (1931)
      • Even in Arcadia: The Dame Who Spoiled Our Daily Bread
      • Ladies in Loco-motion: Trains in Movies Starring Claudette Colbert
      • One Hundred and Four Degrees of Separation: Hemingway’s ‘A Day’s Wait
      • A [Third-Class] Cabin in the Sky
  • Curating
    • Curated Exhibitions
    • (Im)memorabilia: Ephemerality, Resonance and the Collector’s Item
      • (Im)memorabilia: Introduction
      • (Im)memorabilia: Idle Matter/Latent Meaning
      • (Im)memorabilia: Moving Pictures/Still Images
      • (Im)memorabilia: Radio Ties/Wireless Networks
    • Recapturing Mighty Joe Young: The Movie! The Memory!! The Make-believe!!!
      • Recapturing Mighty Joe Young: Introduction
      • The Mighty Joe Young Album at Aberystwyth University
      • Ray Harryhausen: Influence and Inspiration
      • Mighty Joe Young: Cast and Crew
      • Mighty Joe Young: Promotion and Propaganda
      • 1940s Animation
      • Recapturing Mighty Joe Young: Drawing and Animation Workshops
      • The Raymond Durgnat Bequest
    • “To hell with nature!”’: A Reappraisal of Charles Tunnicliffe Prints
      • “To hell with nature!”’: Introduction
      • Home: Tunnicliffe’s Autobiographical Etchings
      • Acclaim: Tunnicliffe’s ‘Fine Prints’
      • Survival: Tunnicliffe as Illustrator
      • Legacy: Tunnicliffe as ‘Bird Artist’
    • Travelling Through: Landscapes/Landmarks/Legacies
      • Travelling Through: Introduction
      • Travelling Through: Platform Two (1985), Steve Whitehead (b. 1960)
      • Travelling Through: Banditti on the Bank of a River (c. 1650 – 1660), Salvator Rosa (1615 – 1673)
      • Travelling Through: NYC, Travelling Through Me (1985 – 2018)
    • Unmaking the Modern: The Work of Stanley Anderson
      • Unmaking the Modern: Introduction
      • Stanley Anderson, Critic of Modernity
      • Disasters of the Great War
      • Tradition, Not Fashion
      • What Matters and What Sells
      • The Last of Their Kind
    • Asphalt Expressionism: Mobile Phone Photography of NYC Pavements
    • Retroactive Selfies: Curating Personal Photographs Representing Queer Identity in the 1980s
  • Teaching
  • YouTube
  • Blog
    • blog (broadcastellan)
    • broadcastellan: All blog entries
  • Home
  • About

Collecting: Luggage labels

Luggage labels

For my engagement with these labels, see

Believing in Labels; or Long-distance Travel, Hands On

(Im)memorabilia: Vicarious Living

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